The Deadpool franchise is back in action with Deadpool 3 in the active works. The film marks the Merc with a Mouth’s Marvel Cinematic Universe debut after the Disney-Fox acquisition. Ryan Reynolds will star alongside fan favorite Hugh Jackman’s Wolverine for an event that is sure to be special on its own but also within the context of Marvel Studios utilizing newly obtained Fox properties. Still, the threequel apparently is not the only Deadpool movie impacted by the Disney acquisition.
Just in time for the holidays, Reynolds revealed to The Hollywood Reporter that a fully-written Deadpool Christmas movie exists, but that it never got made. The actor and producer said:
Four years ago, Rhett Reese, Paul Wernick and I wrote a Christmas movie starring Deadpool. But it got lost in the shuffle of Disney acquiring Fox and it never got made…Maybe one day we’ll get to make that movie. It’s not a musical, but it’s a full DeadpoolChristmas movie. So one day.
Ryan Reynolds
It is not often that shelved and forgotten movies make a magical comeback. But with Marvel Studios leaning into holiday specials like Werewolf By Night and the Guardians of the Galaxy Christmas-themed special, anything is possible.
Deadpool 3 is slated for a November 8, 2024 release date.
Fans of Black Panther and its sequel should be happy to hear that Marvel Studios has confirmed that there are multiple Disney+ projects in the works based on Wakanda. According to Marvel Studios EP Nate Moore, some of the series in mind would involve existing characters, such as the Okoye-centric project that’s been in development for some time, while others would focus on characters “that would be completely new.”
Daredevil: Born Again is one of three Disney Plus streaming series set to film in the first half of 2023, joining Agatha: Coven of Chaos and Wonder Man. Early word had the Charlie Cox and Vincent D’Onofrio-led Daredevil series headed to New York City for production, returning to the familiar locations fans grew accustomed to over 3 seasons of the Netflix series. Production is expected to last nearly all of 2023, beginning in February and wrapping in December.
Indiana Jones is set to make a big comeback with the upcoming fifth film starring Harrison Ford in the iconic role once again. Yet, it seems that Disney is not interested in leaving it with just that single project. According to a new report by Variety, it seems they are also hoping to develop a Disney+ series based on the iconic archaeologist’s globe-trotting adventures. They don’t have a writer or showrunner in place. So, it’s not a definite project at the moment but definitely something they are looking into.
Lastly, a very heartbreaking exclusive about the upcoming live-action Lilo & Stitch movie revealed that the iconic character Cobra Bubbles will be replaced. Of course, news that one of the greatest Disney animated films of all time would be receiving the latest live-action treatment was distressing enough. Still, the fact that Agent Bubbles was not deemed worthy of making the cut is absolutely absurd and a crushing blow to any reasonable-minded person. Perhaps the only post-1990s 2D Disney animated films to actually become a classic, Lilo & Stitch is a journey that spans space, friendship, and family. The film boasts an amazing soundtrack as well, and it is unclear how a live-action film could ever do it justice. Bubbles was a pillar of the original film, serving as the social worker constantly threatening to separate Lilo and her sister, Nani, as Nani does her best as a teenage older sister and pseudo-single-parent after the two’s parents die tragically as per Disney tradition. It is near impossible to see how a remake that forsakes Bubbles could be the Hawaiian Rollercoaster Ride that the beloved Lilo & Stitch embodies. Disney apparently forgot the film’s most famous quote: “Ohana means family. Family means nobody gets left behind or forgotten.”
Welcome to another edition of Murphy’s Multverse’s Sunday Paper. With endless news and content coming to you throughout the week, the Sunday Paper is here for anyone who wants an overview of what happened in the past week. Whether you missed it all, or just want to catch up, this is the article for you. Remember to follow us on Twitter, subscribe to our YouTube channel, and check out our website to stay up to date. Check out last week’s Sunday Paper here.
Perhaps some of the week’s biggest news comes from two upcoming Marvel Studios Disney+ series. Despite having no release date, Wonder Man has made headlines due to some major casting announcements. For starters, Yahya Abdul-Mateen II is in talks to star in the titular role. He is well-known for his roles DC’s Black Manta in the Aquaman films has also starred in HBO’s Watchmen, The Trial of the Chicago 7, Nia DaCosta‘s Candyman, and The Matrix Resurrections where he played Morpheus. Not only that, but Better Call Saul’sBob Odenkirkis also reportedly being eyed for a role in the series, and we have a theory as to who he could play.
In the photo, a sign for a bookstore reads, “Stanton’s Sweets, Reads, & More.” In the comics, Zelma initially joined the sorcery world as Doctor Strange’s librarian, so the fact that the character is linked to a bookstore signals that the character may be introduced in her early stages as the Sorcerer Supreme’s ally.
Zelma is a relatively new character to the comics anyway, first appearing in 2015 in Jason Aaron’s Doctor Strange run. After being helped by the sorcerer, Zelma becomes the librarian for the Sanctum Santorum. After several adventures in this capacity, she decides to practice magic as Strange’s apprentice. The series already features The Hood as the main antagonist, and Sacha Baron Cohen is heavily rumored to play Mephisto in the series, so having another magic-related character in Ironheart further fuels the technology versus magic theme or plot for the series.
Check out the set photo below:
It seems like Zelma Stanton will run her own book store in the MCU, from this new set photo for #Ironheart!
This seemingly confirms the rumors of Regan Aliyah playing Zelma in the series. In the comics, she is a magic user who serves as #DoctorStrange’s apprentice/librarian. pic.twitter.com/0IOZHgVYiF
Welcome to the first edition of the Murphy’s Multiverse Sunday Paper, where the biggest news of the past week is brought to you all in one place. Sit back, relax, and catch up before you have to deal with whatever the upcoming week has to offer. This past week had some pretty big news across the board, so let’s break it down by subject.
Marvel Studios
The Marvel Cinematic Universe had an active news week with multiple trailer drops and marketing for Black Panther: Wakanda Forever in full swing. First, plenty of new footage and promos for Wakanda Forever have been released (check some out here and here), and critic reactions came out after press premieres this week (check out MM’s Hunter Radesi’s reaction here.) While the film does not hit theaters for another couple of weeks, you can listen to Rihanna’s first song in six years made for the film.
Marvel Studios
The first teaser trailer for Ant-Man and the Wasp: Quantumania also dropped this week, and William Jackson Harper has joined the cast. (Read more here). Marvel also released the film’s official synopsis:
“In the film, which officially kicks off phase 5 of the Marvel Cinematic Universe, Super-Hero partners Scott Lang (Paul Rudd) and Hope Van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. Together, with Hope’s parents Hank Pym (Michael Douglas) and Janet Van Dyne (Michelle Pfeiffer), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought was possible. Jonathan Majors joins the adventure as Kang. Director Peyton Reed returns to direct the film; Kevin Feige and Stephen Broussard produce.”
Marvel Studios
That didn’t stop Marvel Studios from releasing a trailer for the Guardians of the Galaxy Holiday Special, set to hit Disney+ on November 25, 2022. It looks like Kevin Bacon will appear as himself, Cosmo the Space Dog will make her first appearance since the original Guardians of the Galaxy, and Michael Rooker will even likely make an appearance of some sort.
Marvel Studios
It was also confirmed this week that Marvel Studios is developing a WandaVision spinoff titled Vision Quest, in which we will follow Vision on his path to regaining his memories and humanity, and it’s possible the Scarlet Witch makes an appearance. (Read more here.) Speaking of WandaVision spinoffs, Agatha: Coven of Chaos has a bit of news of its own. WandaVision staff writer Megan McDonnell is among the team of writers working on the upcoming Disney+ streaming series Agatha: Coven of Chaos, (read more here) and a recent rumor suggests that the series may be adapting the Scarlet Witch-related Children’s Crusade comic book arc. (Read more here.)
We’ve also gotten a better look at Ironheart this week as set photos offer a look at Anthony Ramos’ villain the Hood (see it here), and a wrap gift teases Ironheart’s new armor’s faceplate (see it here). After not appearing in the Thunderboltspromotion at D23, Baron Zemo actor Daniel Brühl teased the return of his character (read more here), and Charlize Theron also teased Clea’s return to the MCU. (Read more here). Speaking of teases, Hugh Jackman discussed his return as Wolverine and a likely title change for Deadpool 3. (Read more here.)
Lastly, there are a few more rumors making the rounds. Blade may have found its new director in Elegance Bratton, a relatively new director. (Read more here.) Believe it or not (it is a rumor after all), Dr. Doom may not be the main villain of the upcoming Fantastic Four film (read it here), and an official Disney site listed Emilia Clarke’s character in Secret Invasion as Abigail Brand, though the Skrull possibilities are endless. (Read more here.)
Star Wars
If a new rumor proves true, Ezra Bridger, the beloved protagonist of Disney XD’s animated Star Wars: Rebels, may receive a solo live-action series after the character’s appearance in the upcoming Disney+ series Ashoka. It is unclear clear if the rumored solo series, led by actor Eman Esfandi will be a direct sequel to Rebels or not. (Read more here.)
Oscar Award-winning director Sharmeen Obaid-Chinoy, who recently directed a couple of episodes of Ms. Marvel, has been chosen to direct what’s being described as a “secret” Star Wars film based on a script from Damon Lindelof and an as yet unnamed co-writer. Though the film is still in the early stages of development, the report indicates that it has gained steam at Lucasfilm and is among its top priorities on its theatrical slate (Read more here.) The Star Wars film is also apparently set to take place after the events of 2019’s Star Wars: The Rise of Skywalker, and could possibly bring back some of the sequel trilogy’s characters. (Read more here.)
Last but not least, a teaser trailer for Tales of the Jedi dropped. (Watch it here.)
DC
While Black Adam flew through its first full week in theaters with strong box office numbers, DC has a much bigger week in the news than anyone would have predicted. Of course, the Superman cameo in the film was turning heads before it was even released. However, Henry Cavill himself on Monday took to social media to confirm his return as Superman. He posted a video for his fans along with the caption, “A very small taste of what’s to come, my friends. The dawn of hope renewed. Thank you for your patience, it will be rewarded. #Superman.” (Read more and check out his full Instagram post here).
In fact, this week seemed to signal a new era for DC Entertainment on an even bigger scale, as it looks like Warner Bros. has finally found its Kevin Feige(s). In a surprising announcement, James Gunn and Peter Safran have been tapped to lead the DC’s future film, TV, and animation slates. They will act as co-chairs and co-CEOs of DC Studios, which was recently led by Walter Hamada under the title of DC Films. (Read more here.)
DC also left bits and pieces of news floating around throughout the week, though perhaps less exciting than the big hitters above. Joker: Folie à Deux, the sequel to 2019’s Joker, is reportedly set to start production soon. According to cinematographer Lawrence Sher, the film will begin filming “in five- or six-weeks’ time.” Additionally, the film will “largely be shot in sound stages in Los Angeles, as well as on location in New York, where the project is set.” (Read more here.) On the other hand, The Batman 2 won’t be headed to theaters until 2025 at the earliest. (Read more here.) However, it looks like the film will not be associated with the new DC Studios, and it is unclear if The Batman franchise will be either. (Read more here.) In other words, DC’s universe will still remain, to some extent, in its oddly organized, splintered form we all know and love.
Speaking of the Wild West of DC, there is more. The Batman universe untitled Arkham Asylum spin-off series is finally moving forward. Variety has shared that the creator of The Staircase, Antonio Campos, has joined the production as its showrunner. (Read more here.) Set photos from the filming of The Flash’s ninth and final season have seemingly confirmed that actress Javicia Leslie—who previously played an original character on Batwoman–will return to The CW as the multiversal villain Red Death, (read more here), and actor Elijah Rashad is set to join Doom Patrol’s fourth season. (Read more here.)
HBO Max is looking to redevelop its previously announced Green Lantern series. The show, which hailed from producer Greg Berlanti and writer Seth Grahame-Smith, was originally set to star Finn Wittrock (Ratched) and Jeremy Irvine (War Horse) as the respective Green Lanterns. Reportedly, the new series will instead turn the focus over to John Stewart, one of DC’s first black superheroes. (Read more here.)
In Other News
Some other news worth noting—Henry Cavill is departing The Witcher, with Liam Hemsworth to take on the role. (Read more here.) Andy Serkis apparently will not be back to direct Venom 3 and writer Kelly Marcel will helm the film instead. (Read more here.) Avatar: The Way of the Water might have a whopping 3 hours and 10 minutes run time, and House of the Dragon showrunner Ryan Condol discussed the season finale and about the direction the series will take in the future. (Read more here.)
With the continued expansion of the Marvel Cinematic Universe and DC properties, more and more superhero movie and television content is being pumped into screens almost non-stop. New genres and formats are being explored and countless characters are being brought into live-action. So, we should be at the peak of the age of superhero movies, right? Unfortunately, it seems we have sailed right on through the Golden Age of Superhero Movies that took place in the 2010s.
This feature could not function without describing the massive and crucial impact that Marvel Studios and the MCU had on the superhero genre. However, other films began paving a path before 2008’s Iron Man. DC had been producing films, particularly based on Batman and Superman properties, for decades that had a clear cultural impact. Marvel, through Sony or Fox, had major hits like the Spider-Man and X-Men franchises. While the superhero movie genre had been present for some time, the MCU was the undeniable spark that caused the concept of the superhero movie to explode.
While Iron Man was the first of now many films in what became the MCU, the whole franchise did not pick up an insane amount of steam for several years. The early Phase One movies were—overall—OK. They existed as origin stories, but the superhero origin story had already been done nearly 3,333 times before. Everything changed when Avengers was released in 2012.
The crossover aspect is undeniably one of the key (if not the key) components that changed the way audiences engaged with the genre. While other superhero movies still trickled out around this time, no other franchise was combining four other franchises into one mega-franchise. The MCU was surely not the first to invoke the crossover strategy, but it certainly was the first to employ it on such a large scale. And luckily, Avengers was a smash hit and will remain one of the most culturally significant films of the early 21st century. Movies stopped becoming just movies—they were entire events and spectacles that transcended just a single film. At this point, “franchise” became the business term while “universe” because the one fans experienced.
The Infinity Saga experience, frankly, cannot be surpassed. The post-Avengers excitement leading the Avengers: Endgame was the definitive Golden Age of Superhero Movies. During this time, millions and millions of fans waited feverishly for the one or two movies the MCU dropped each year. Easter eggs and cameos felt like invaluable treasures as people started to stitch together this rich, magical fictional universe that entertained them like no other. The promise of some ultimate “finale” to the saga being lived through buoyed even some of the weaker installments. And, boy, was that finale spectacular.
At this point, there is no reason to overanalyze Avengers: Infinity Waror Endgame anymore. Regardless of contemporary or retrospective reviews or criticisms, virtually everyone who was a fan during that time can tell you those films were the hype of all hype. The iconic moments from those films we still conjure up frequently were the fruition of 11 years of storytelling, and every bit of the event was stylized as the definitive and ultimate moment of the unprecedented sensation that was the MCU.
Of course, the MCU did not stop. In fact, it is producing content at a rate that would even a 2018 fan would never believe. More characters that comic book fans never thought would ever make it to live-action are now here, living amongst the universe we feel we grew up or grew old in. There is something to be said, though, about the onslaught of content. The ever-warned-of “superhero fatigue” that some spoke of a decade ago may actually be creeping in. With often little to no chance to take a breath between MCU projects, each one has the potential to feel less and less special. The anticipation for the next project has weaned. Now, it is difficult to take in the entire MCU given how many hours of content exist. A casual fan may very well be overwhelmed, and new fans may have no idea how to actually get involved. Old fans may have had to abandon their annual MCU rewatch.
But Phase Four—and beyond—content has also produced some phenomenal projects. Many would agree that Spider-Man: No Way Home, Werewolf By Night, and She-Hulk are all gifts in their respective formats. But even with quality new projects, the expectations are clearly higher than they once were. Part of it is the high of Infinity Saga that so many keep chasing. However, the toxic online culture surrounding film discourse—particularly in the comic book genre—has felt out of hand since Phase Four began. Surely the Golden Age would not include thousands of people trash-talking every frame of a film, leading robust campaigns centered around hating women, and whining, complaining, and arguing about rumored post-credits scenes for much more important films that have not been released yet.
And while the MCU can now tell bigger and more fantastic stories with an increasing range of characters, it is almost inevitable that the overarching plot will be Marvel Studios’ answer to: “How do we go bigger and better than Endgame?” The infinite possibilities, cameos, and combinations of Avengers: Secret Wars will almost certainly be a proper answer to that question and the payoff will almost certainly be astronomical. But it will not be able to live up to the Infinity Saga finale. While the story is presumably unique and the cheer-worthy moments will be plenty, at the end of the day the MCU has already taken us through that journey. The build-up and surprises are expected, and the energy will never match that of 2018 and 2019.
This article focuses on the MCU for obvious reasons, but DC and the DCEU shot their own shots, though it was generally fumbled. So far in the post-Endgame time period, we have seen a DC that is fractured, confused, disorganized, chaotic, repetitive, and often mediocre. There are no doubt some standouts, including The Suicide Squad, Joker, and The Batman. But the fact that they remain as separate isolated incidents keep the DC Universe from thriving in the way that it could. Black Adam’s insistence that this is all set to change is empty until it happens. To be fair, the recent news that James Gunn and Peter Safran will lead a new “DC Studios” is something to keep an eye on. But either way, DC really missed the Golden Age boat at this point, unless they can turn it around and do something extraordinarily special.
The big fourth wall break in the middle of the She-Hulk: Attorney at Law finale may be the most memorable part of the episode, but the very beginning was also iconic. The opening was a stellar homage to the opening credits of The Incredible Hulk television series starring Bill Bixby and Lou Ferrigno that aired on network television in the late 1970s and early 1980s. It was not too off-the-wall that the self-aware show would reference the classic Marvel show, but head writer Jessica Gao recently opened up about the somewhat surprising way it came about. Speaking to Comicbook.com, Gao said:
One day, out of the clear blue — this was post-lockdown, so everyone’s just working from home — my fiance, Truck Torrence, just walks into the room that I’m in working. And just announces, ‘I think you should do an opening that’s like an homage to the 1970s Incredible Hulk. That is all.’ And then he just walked out of the room. And I thought, ‘That’s a great idea,’ and then it just snowballed from there.
Jessica Gao
The idea luckily worked in practice at the end of the day. Even if some younger viewers did not immediately make the connection, most did and the aesthetic was absolutely on point. Gao continued:
And I am so tickled that we actually got to do it…[i]t looks fantastic. Our second unit director, who is also our stunt coordinator, Monique Ganderton, directed that. And you could tell that Tatiana and Mark had so much fun in those ’70s clothes. In the scripts I wrote ‘Ruffalo is in a Bill Bixby wig.’ But what was great is Mark naturally has this beautiful curly hair, so we didn’t need to put a wig on him. Like his hair naturally could support that wonderful ’70s volume.
Jessica Gao
She-Hulk: Attorney at Law is now streaming on Disney+.
Considering She-Hulk brought back major references to 2008’s maligned and often ignored The Incredible Hulk, many thought that additional characters from that movie might make an appearance. Specifically, some theorized that Tim Blake Nelson’s Samuel Sterns, who was last seen beginning his transformation into the supervillain known as The Leader, would be the overarching or background villain of the series, especially after he was announced to be returning in Captain America: New World Order.
While The Leader was nowhere to be found in She-Hulk, head writer Jessica Gao says he was in her original pitch for the series. Speaking to Comicbook.com, Gao stated:
In my original pitch, I did have The Leader in there. Just as an option, as a suggestion, you know?…[b]ut really, I can’t remember why [it was taken out]. I don’t remember if it was organically taken out, because we just came up with other stuff, or if we were told no. I honestly don’t remember. But there was thought about either bringing him back or doing some version of a new version of Leader, or some relation to him. But, I mean truly, this was three years ago, and the show has evolved so much that I don’t remember what actually happened.
Jessica Gao
Now having seen the full She-Hulk series, The Leader’s absence did not weighing heavily on the character or story. Still, Gao’s comments add fuel to the growing theory flames that Marvel Studios is plotting a grand and expansive Hulk-related plotline in the future.
She-Hulk: Attorney at Law is now streaming on Disney+.
Production on the highly anticipated Mahershala Ali-led Blade movie is currently shut down after losing director Bassim Tariq. After Tariq’s departure, it was revealed that Beau DeMayo had agreed to rewrite the script. With the hiring of DeMayo, it was expected that Marvel Studios would quickly fill the director position, but instead, the studio has slowed down to “deepen the search” for a new director, while also taking time to further strengthen the film.
On Comicbook.com’s Phase Zero podcast, Giacchino addressed whether he could take the reins on Blade. Unfortunately for fans, it looks like the list of potential directors does not include the Werewolf By Night director. Giacchino expressed that Blade would conflict with some of his other projects in the works timing-wise:
“I mean, look, I love Blade. I think that’s an amazing, amazing character. It’s one of my favorites. But I feel like that thing is already in motion in a way that is like, and I’m in motion on other things as well, and there’s just– It’s a whole… you know. It’s just, timing-wise, it’s a little crazy. So I feel like, you know… I want that to be a great movie. I want that to be an awesome movie, because that character deserves it in a huge way. But yeah, right now, I mean, no.”
We use cookies to improve your experience on our site. By using our site, you consent to cookies.
This website uses cookies
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
comment_author
Used to track the user across multiple sessions.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Pinterest Tag is a web analytics service that tracks and reports website traffic.
